Some Kind of Funny “Porto Rican”?

Documentary tells the story of a much misunderstood community in our midst

By Claire Andrade-Watkins


The title SOME KIND OF FUNNY "PORTO RICAN"? is derived from an actual comment made many, many years ago. My beau's brother was a student at Brown University in Providence, Rhode Island. Upon learning that his brother had met a Cape Verdean girl from Providence, the Brown student replied, "Cape Verdean? Oh, there are a lot of them around here; they're some kind of funny ‘Porto Ricans’" (note: spelling of "Porto" is the way it was pronounced, hence the spelling in the title). This is a classic example of the (mis)perceptions of Cape Verdean Americans. Rich anecdotal stories like this abound, adding texture and shape to the reflections, observations and experiences -joyous and painful - of growing up in this close, self-contained New England community.

The community of Fox Point was situated near the waterfront and the Port of Providence. Clustered in tenements, families, relatives and friends lived within shouting distance of one another. Once a bustling port for loose cargo - lumber, coal, scrap iron - most of the men from the Point "worked the boats" as proud members of the Longshoremen's Union Local l329.

Three generations of Cape Verdeans were born and raised in this tight-knit neighborhood that stretched along the waterfront. Uprooted by urban renewal in the l970s, the disbanded Cape Verdeans scattered to other parts of Rhode Island. Yet Fox Point remains "home" - at least in heart and spirit - for Cape Verdeans who lived "down the Point." SOME KIND OF FUNNY "PORTO RICAN"? chronicles this community's history, music, ties to the old country, and maritime/seafaring traditions, especially the longshoremen, who "worked the boats" in the Port of Providence. The narrative vehicle for SOME KIND OF FUNNY "PORTO RICAN"? is my childhood memories of family, friends, textures and sounds of the l950s, l960s and early l970s in the Cape Verdean Fox Point section of Providence, Rhode Island.


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Clustered in tenements, families, relatives and friends
lived within shouting distance of one another.
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SOME KIND OF FUNNY "PORTO RICAN"? does not attempt to be the definitive word on the "Cape Verdean experience.” What the project endeavors to do is tell a story that is rich in human experience and scholarly detail. The search for visual material for this project has been an ongoing hunt for over twenty years.

I have gone door to door, following leads of family and friends, sometimes crawling through basements and attics and in one instance prying 8mm black and white footage of Brava, Cape Verde in the l950s from a reluctant cousin's attic. Through a more cooperative uncle, I was given the use of his 8mm family archive spanning thirty years of family events and holidays. Other finds include priceless photographs, many going back to the late l890s, journals, newspaper clippings, and a pristine collection of beautiful 8mm color film of the Fox Point community in the late l950s and l960s and of the longshoremen "working the boats" in the Port of Providence. Most exciting is the 8mm footage of the famed ERNESTINA, a two-master Gloucester schooner, the last packet ship to regularly sail to New England and a legend in Cape Verdean folklore. Another highlight is the voices from the oral histories with the "old timers" I have conducted over the years. Now that many are deceased, their voices are an even more valuable part of this story.


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What the project endeavors to do is tell a story that
is rich in human experience and scholarly detail.
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Between May 29 to June 1 2000, we completed the last phase of production in Providence, Rhode Island, thanks to a wonderful crew and support from the Cape Verdean community, friends, family and colleagues. Although the total funds needed for this shoot fell short, we had to shoot. Too many of our old timers who remembered the old Fox Point and the three generations of families who lived there were beginning to fail or slip away. It's been a race against time since we began shooting in l995, little by little time as funds were raised. However, these competitively awarded grants and private donations provided only partial funding.

Post-production work is being done largely through pro bono or deferred payments by friends and colleagues. However, the online final edit for the broadcast quality version and other costs that can't be deferred leaving us trying to find approximately $25,000.
Editing began in earnest June 2001 with a fall target date. Upon completion, we plan to enter the film in major national and international film festivals. WSBE-TV 36, Rhode Island's PBS affiliate, will broadcast the program in southern New England, and plans are underway to tackle other PBS affiliates nationally.


To support and make contributions to this project please visit http://www.spiamedia.com/in_pro_don.html for more information on tax-deductible contributions.

Claire Andrade-Watkins, a historian and filmmaker, has published extensively in leading academic journals and film publications on French and Portuguese-speaking African cinema. She was a l995-l996 Fulbright Scholar in Cape Verde. In l986 she produced THE SPIRIT OF CAPE VERDE, a half-hour documentary on Cape Verdeans in New England, and President Aristides Pereira's first visit to the United States in l983. She worked on ODYSSEY, a PBS documentary series anthropology and archaeology, and as assistant to the producer on SANKOFA, by Haile Gerima. She is an Associate Professor in Visual and Media Arts at Emerson College .


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