Showing Our Colors: Afro-German Women Speak Out An Anthology Describes the Experience of Black Women in a White Society Reviewed by Emily Monroy One of the first challenges to the idea of black intellectual inferiority came from a German study. Authored by psychologist Klaus Eyferth and published in the 1959 edition of the journal Vita Humana (now Human Development), the study compared the intelligence of two groups of children born in Germany to local women and American soldiers. The first group, however, was sired by white GIs, while the second had black fathers. If the former children proved to be more intelligent than the latter, then white supremacists could make the argument that blacks were indeed genetically inferior to whites, at least in terms of intellectual ability. But no such luck: the two groupsí test scores were indistinguishable. The study was, as expected, vilified by proponents of racial inequality (prompting one commentator to note that left-wingers are not the only ones to dislike race research), but it was accepted by the scientific community and, more importantly, replicated by other researchers who reached the same conclusions. I first read of this study in my first-year psychology class. The existence of a black community in Germany was news to me. But I soon learned that the offspring of black GIs were not the only people of mixed African descent in that country. Germany at one time possessed a number of colonies in Africa, including modern-day Tanzania, Cameroon, Togo and Namibia. Some natives of those places immigrated to Germany, where they established relationships with the locals and produced mixed-race children. In addition, biracial children were born to Germans and immigrants from African countries never under Germanyís control. Until recently, though, I had never come across any first-hand accounts by mixed-race Germans themselves. That is, until I discovered Showing Our Colors: Afro-German Women Speak Out at a small Toronto bookstore. ______________________ Left-wingers are not the only ones to dislike race research. ______________________ Showing Our Colors is published by the University of Massachusetts Press and edited by three women: May Opitz, an Afro-German speech therapist and poet; Katharina Oguntoye, a feminist historian of German and Nigerian background, and Dagmar Schultz, a white woman and editor. Translated from the German Farbe bekennen, the book contains a history of German imperialism in Africa and of blacks and mixed-race people in Germany. The English version includes a foreword by the late poet Audre Lorde, who met a number of Afro-German women during a stay in Berlin. The bookís principal attraction lies however in the first-hand accounts by fourteen women of mixed black and German descent. As the editors state in the introduction, the contributors have little in common besides their blackness. The women differ in their sexual orientation (most are heterosexual, but a few are lesbians), educational and professional experience, country of residence (at the time of the bookís publication, what is now Germany consisted of two nations, east and west), and connection with their black heritage. They also trace their ancestry to different sources. Some have a parent directly from Africa, whereas others were born to black Americans, usually GIs. In general, the women with African-born parents have had more contact with their black relatives than the daughters of African Americans. In addition, almost all the contributors have black fathers and white mothers, except for a seventeen-year-old woman with an Afro-German mother and Italian father and the twenty-three-year-old daughter of an Afro-German woman and Ghanaian man. Unlike some contributors to Carol Camper's book Miscegenation Blues: Voices of Mixed Race Women (which I reviewed earlier), few of the women profiled in Showing Our Colors claim an exclusively black identity. Perhaps because they live in Germany, speak German as their first language, and in some cases have had little contact with other blacks, the women largely identify as German or, at most, as mulatto. One woman who was raised by a white single mother begins her account with "I'm German, and I'm dark". According to a forty-two-year-old nurse, people who tell her she is lucky to live in Germany do not understand that I'm German and don't belong anywhere else. The contributors' tendency to identify more with their German than black side in some instances stems from their inability to integrate into a black community. While they rarely faced rejection or discrimination from blacks as they sometimes did from their fellow Germans (indeed, one contributor states that her African boyfriend's family put her on a pedestal because of what they perceived to be her "whiteness"), they often felt that they could never become part of black society. In the case of those who traced their descent directly to Africa, sometimes cultural barriers were too great an obstacle to overcome. One woman became distressed at what she saw as women's subservient role in her father's native Ethiopia. The woman whose boyfriend's family idolized her supposed whiteness explains that when she was called "white lady"at a beach in Liberia, she realized that in Africa she would always be considered an "other,"even if a privileged "other."She decided that Germany was her home after all. ______________________ "I'm German, and I'm dark." ______________________ Showing Our Colors does not address the question of race mixing per se but rather the lives of African-descended individuals in what was until recently a fairly monoracial country. Nonetheless, given that all the women featured here are in fact biracial, they offer a number of insights into the mixed race experience. One of the first contributors, a sixty-seven-year-old woman who lived through the Third Reich and narrowly escaped sterilization (a procedure mandated by the Nazis for non-"Aryans"), says that when asked once whether she minded being a mulatto, she replied, "No, what I have already experienced because of my background you will never experience in your entire life.î A forty-year-old woman tells of having reconciled herself to the ìwhite part of me.î A couple of the younger contributors, though, speak of feeling alienated from both sides of their heritage at some point in their lives. For example, at a younger age one woman ìhated mixed marriages, since we children have to live our lives always between two stools.î Another was disappointed that her physical features were not ìblackî enough. The contributors not only faced the issue of race mixing in the context of their family background but in their own marriages and sexual relationships. The first woman profiled, the sixty-seven-year-old Third Reich survivor, married a white man. Many of her friends could not understand how she could do so in light of the oppression she and her family had experienced from white society. She answered that she had no objection to marrying a white man provided he was a "decent person."She describes herself and her husband as "happy grandparents"whose lives do not differ fundamentally from their contemporaries. Some of the younger women are less sanguine about their relationships with white men. The forty-two-year-old nurse, for example, considers some white men "racist exploiters"and recounts having left a white boyfriend herself after he told her "A model or stewardess I can have any time, but not a Black woman."She and several other contributors imply that some of their white lovers were interested in them not as individuals but as blacks, a statement that echoes Carol Camper's observation that the desire to gain entrance into a so-called "exotic"lifestyle was a motive behind some whites'decision to marry interracially. {PQ}A forty-year-old woman tells of having reconciled herself to the ìwhite part of me.î Other women formed relationships with black rather than white men (as well, one contributor had a brief affair with a black GI but later married a white German). Sometimes circumstance rather than race was the major factor in their choice of partner. The older sister of the sixty-seven-year-old Third Reich survivor married a countryman of her father, but rejection of white men did not seem to play a part in her decision. Some contributors admit to other reasons for preferring black over white men. A young woman abandoned by her American soldier father and raised by her white mother says that for many Afro-German women the "search for a father and the search for Black men often converged."With regard to herself, she adds that "I never wanted a white boyfriend; blackness and being a man went together, once I realized that, I wanted to get to know my father." While reading Showing Our Colors, I couldn't help comparing and contrasting it to Miscegenation Blues. In some ways the former is more limited in scope: it deals only with individuals of mixed German and black descent whereas Camper features women of a seemingly endless array of racial combinations. Yet in some ways Showing Our Colors strikes me as a more inclusive book. For instance, Camper deliberately excluded contributions that endorsed views with which she disagreed, such as the idea of race mixing as the key to ending racial discrimination. While I agree with Camper that such a view is naive, that does not mean that it should not be heard or that people who subscribe to it might not have other worthwhile things to say. On the other hand, the editors of Showing Our Colors allow the contributors to express differing opinions. One example has to do with the role of blacks in German films. After Germany's loss of its African possessions, coupled with its defeat in World War II, German filmmakers tried to re-ignite the spark of national pride by making movies that portrayed the country's glory days as a colonial power. Many Africans and Afro-Germans were hired as actors and extras on the sets. The two sisters who lived through the Nazi era speak fondly of their small parts in these movies, noting that they had the opportunity to meet other people of African descent as well as earn extra money. The forty-two-year-old nurse, on the other hand, who herself acted on stage as a child, is more critical of the roles offered to Africans in the cinema and theater. In her view "the movie scene was not all that nice either you play the naked wild man or woman, or servants' roles." ______________________ German filmmakers tried to re-ignite the spark of national pride by making movies that portrayed the country's glory days as a colonial power. ______________________ The women in Showing Our Colors also lack the hostility that some contributors to Miscegenation Blues express toward white women and toward white mothers of biracial children in particular. Some women profiled in the former book do say that their white mothers or mother substitutes did not know how to deal with the racism their daughters faced in white society. One woman describes how her mother refused to discuss problems like racism with her and thus failed to prepare her for the outside world. Another contributor who lived with her African father and his Jewish wife states that her stepmother, having lived as a Jew in the Nazi era, had adopted an attitude of "whatever you do, don't be conspicuous" and was not willing to "go to bat" for her stepdaughter. On the other hand, the father would not let anyone get away with mistreating his daughter. Some contributors to Miscegenation Blues make the same point, that white mothers may have difficulty equipping their mixed race children to handle discrimination. But at times the more virulent commentary, such as that of a woman who predicts a white usher will abuse her biracial child-to-be because she (the usher) refused to let the contributor into an African event for free, may cause readers to take the whole book Miscegenation Blues less seriously. Some of the limitations of Showing Our Colors? The book primarily profiles the daughters of black fathers and white mothers. It might be interesting to see whether the lives of children born to white fathers and black mothers differed in any way from that of the present contributors. The editors can hardly be faulted for the omission: though many German colonizers in Africa sired offspring by local women, most of these children remained with their mothers and never went to Germany. Showing Our Colors' strength lies in its first-hand presentation of the lives of biracial individuals in a monoracial European country. Of course the experience of these women might not be identical to that of mixed race women in a multiracial society such as the United States. But Showing Our Colors is a must-read for anyone who wants to understand the multiracial experience in Europe. I can only hope to find a similar book on Afro-Italians some day. Emily Monroy is a professional translator and is of Irish, Italian and Norwegian descent. Born in Windsor, Ontario, she now resides in Toronto. Her articles have appeared in several publications, including Interracial Voice, Cats Canada, and Urban Mozaik. She welcomes feedback on her articles.You can contact Emily at emonroy@beachestoronto.com This article was originally published in Interracial Voice Magazine. This website: Copyright © 2003 Dream World Media, LLC. / Urban Mozaik Magazine. All rights reserved. The opinions expressed in Urban Mozaik Magazine are not necessarily those of Urban Mozaik Magazine and the publisher cannot be held responsible for them. 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